Global Independent Network of the Year:
SERVICEPLAN GROUP
Finalist
Production & Post-Production
Production Design
| Entrant: | HeimatTBWA\ Germany, Berlin |
| Brand: | HORNBACH Baumarkt |
| Title: | "Feel Like A Kid Again" |
| Corporate Name of Client: | HORNBACH Baumarkt AG |
| Client Company: | HORNBACH Baumarkt AG |
| Client Global Chief Marketing Officer: | Karsten Kühn |
| Client Head of Global Brand Marketing: | Thomas Schnaitmann |
| Client Head of Brand Marketing: | Julia Post |
| Client Senior Brand Manager: | Erik Fritsch |
| Media Company: | Mediaplus, Munich |
| Agency: | HeimatTBWA\ Germany, Berlin |
| Head Creative: | Guido Heffels |
| Agency Creative Director: | Guido Heffels |
| Agency Creative Director - Copy: | Luis Jaehner |
| Agency Creative Director - Art: | Christofer Kuemmerer |
| Agency Senior Art Director: | Fabian Lange |
| Agency Art Director: | Marina Emeljanov |
| Agency Senior Producer: | Kerstin Heffels |
| Agency Managing Director: | Tim Holtkoetter |
| Agency Account Supervisor: | Peter Hunger |
| Agency Account Director: | Lea Boehm |
| Agency Account Managers: | Tabea Makosch/Lucas Schäfer |
| Production Companies: | Tony Petersen Film, Berlin/Company3, London |
| Production Company Managing Director: | Michael Duttenhöfer |
| Production Company Director: | Fredrik Bond |
| Production Company 1st AD: | Max Morales |
| Production Company Producer: | Florian von der Heydt |
| Production Company Executive Producer - TPF: | Michael Duttenhöfer |
| Production Company Executive Producer - MJZ: | Lindsay Turnham |
| Production Company DoP: | Jakob Ihre |
| Production Company Production Designer: | Fritjof Granström |
| Sound Design Company Composer: | Asher Kaplan |
| Production Company Casting Director - Argentina: | Ariana Coler |
| Production Company Casting Director - Chile: | Pamela Fenner |
| Production Company Art Director: | Sole Montenegro |
| Production Company Wardrobe: | Marcela Carboni |
| Service Companies: | 24/7, Santiago |
| Production Company Executive Producer - 24/7: | Cristobal Sotomayor |
| Production Company Production Manager - 24/7: | Susana del Rio |
| Production Company Production Coordinator - 24/7: | Tomás Ortiz |
| VFX Company: | KATALYST, Berlin |
| Edit Company Editor: | Matt Pochettino |
| Sound Design Company: | Fridge Audio, Berlin |
| Sound Design Company Sound Designer: | David Arnold |
Cultural Context:
Why do we face more smiling faces in spring? Why is love in the air? Why are our moods up? To understand and portrait those feeling, it was important to understand what the wintertime period of forced idleness feels like for those, who wants to be active the most.
Passionate about their gardens and outside plants and plans, those adults all feel like trapped in winter. They experience the winterblues as an especially cruel time. And the winter depressions and general mental health declining in the grey months of winter is not an inkling, but factual.
But instead of forgetting what’s behind us, HORNBACH used the strain of the winter season as an explanation for the campaigns core idea: Exuberant childlike joy for the spring season. And the healthy dose of madness that comes with it.
The task was to really bond and click with the hearts and minds of gardening fans. A challenge, as HORNBACH needs to get this joy across year after year, pumping up their customers for a new round of spending time and money on their homes and gardens. In times of turmoil and uncertainty, where optimism wavers, reclaiming that playful joy has never been more crucial.
By really understanding of what the forced break of winter time means to them, and in conclusion, how much of a relief spring is. A challenge, as HORNBACH needs to get this joy across year after year, pumping up their customers for a new round of spending time and money on their homes and gardens.
But to urge people to create things with their bare hands it would be nonsensical for HORNBACH to create digital CG Worlds and flash people with grandiose but ultimately unreal creations. So then how to create a childlike, yet not absurd scenery, house interiors that feel like imprisoned fever-dreams, and foot-chase-scenes that go after a larger-than-life Toy truck, tall as a house? The answer is to built it all by hand. In painstakingly detail.
The intricate sets and empathetic story, the wrestle between moody desolation and joyful outburst, as well as the madness of a larger-than-life DIY-Truck – all those show the deep love and devotion for meticulously handcrafted visuals and emotional storytelling of all minds involved.
The campaign succeeded across the entire funnel, driving a boost in consideration, a surge in purchase intent and a significant rise in brand reputation.