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Entrant: SERVICEPLAN GERMANY, Munich
Brand: Rainbow Wool
Title: "Rainbow Wool"
Corporate Name of Client: Schäferei Stücke
Client Company: Schäferei Stücke, Löhne in Westfalen
Clients: Michael Stücke/Jochen Klinge
Media Company: MEDIAPLUS GERMANY, Munich
Media Company Managing Director: Maximilian Florian Schöngen
Media Company Strategy Director: Sabrina Duchow
Media Strategists: Daniela Ibler/Fabian Steiner/Lukas Pachoinig/Sarah Wilson
PR Company: SERVICEPLAN GERMANY, Munich
PR Company Managing Director: Britta Tronke
PR Company Executive Creative Director: Bernhard Fuchs
PR Company Creative Director: Lisa Paul
PR Company Communications Director: Birgit Koch
PR Consultants: Karoline Metz/Sabrina Bittl
Agency: SERVICEPLAN GERMANY, Munich
Agency Global Chief Creative Office - SERVICEPLAN GROUP: Alex Schill
Agency Chief Creative Officer - SERVICEPLAN GROUP: Till Diestel
Agency Executive Creative Directors: Lorenz Langgartner/Franz Röppischer
Agency Executive Creative Director - SERVICEPLAN SPAIN: Emilio Valverde
Agency Creative Directors: Sebastian Simon/Dennis Fritz
Agency Senior Copywriter: Schakir Islamow
Agency Copywriters: Ann-Kathrin Schirpke/Louisa Heuter/Shruthi Subramanian/Javier Granados
Agency Senior Art Directors: Daniel Azar/Rosario Brancato
Agency Art Directors: Marius Merkel/Camille Nizet/Tanvi Phalak/Rohil Borole/Kai West Schlosser
Agency Print Producers: Melanie Dienmann/Stefan Kriznjak
Agency Producer: Regina Calix
Agency Editors: Klas Batschkus/Katharina Nützel/Martin Bierbaum/Jan-Michel Magens
Agency Motion Designers: Margarita Nikolajeva/Michal Kuśmierz/Stefanie Fritzel/Michael Diepold/Jennifer Schulz 
Agency Global Head of Creative Operations: Sabine Gwinner
Agency Creative Operations Managers: Alexandra Grimm/Susan Horn
Agency Managing Directors: Andy Wyeth/Anna Lee Sønnichsen
Agency Managing Partner: Alexander Nagel
Agency Strategy Director: Nadia Leytes
Agency Senior Account Executive: Isabella Capodieci
Agency Account Manager: Lilli Schmitz
Digital Company: PLAN.NET GERMANY, Munich
Digital Technical Creative Director: Janette Gerryts
Digital UX Designers: Kim Zeyen/Erma Franca/Mona Wilms/Jenny Phaka/Rebekka Fleischer
Digital Designers: Thuy-Duyen Lea Lam/Esther van Ammel
Digital Company Account Management Digital: Angelina Stramka
Social Media & Influencer Relations Company: TACSY, Cologne
Social Media & Influencer Relations Company Performance Strategy: Daniel Hoffmann
Social Media & Influencer Relations Company Paid Social: Sarah Sponsheimer
Social Media & Influencer Relations Company Social Content Production: Lennart Schinke
Social Media & Influencer Relations Company Social Strategy: Joana Tsesmelès
Social Media & Influencer Relations Company Influencer Management: Rieke Nedderhoff
Social Media & Influencer Relations Company Channel & Community Management: Jana Gerlach
E-Commerce & Fulfilment Company: IDEAL ALPHA , Berlin
E-Commerce & Fulfilment Company Developer: Chris Schrut
E-Commerce & Fulfilment Company Managing Director: Andre Wagemann
Creative Coding Company: Studio Farbraum, Cologne
OOH Company: CONCRETE CANDY, Dresden
Production Company: Peoplegrapher, Düsseldorf
Production Company Director: Lukas Tielke
Production Company Executive Producer: Jack Gregory Donald
Production Company Producer: Sina Lübke
Production Companies DoP(s): Niklas Lemburg/Stefan Schneiker
Production Companies Assistants Camera: Clemens Florack/Darius Buesch
Production Company Head of Production: Alexander Norek
Production Company Project Manager: Rebekka Zehner
Production Company Editor: Marcel Alves
Production Companies Production Assistant(s): Rosa Bartels/Caio Salles Ackermann
Production Companies Gaffer(s): Yannick Frotz/Lars Elliger/Christopher Rüttger/Theo Weingarten
Production Company Digi Op: Hilarius Riese
Production Company Sound: Daria Somesan
Production Company BTS: Daniel Morres
Production Company Online Artist: Justus Heinser
Production Company AI Artist: Jacob Fletcher
CGI Artist: Fabio Ziplies
Creative Director: Ingo Nahrwold
Designers: Kilian Kerner/Danny Reinke/Mark Krayenhoff van de Leur
Hair & Make-Up: Natalie Franz/Patrick Gorra/Annoula Petrides/Kita Liema
LED Screen Production Company: Elastique., Cologne
Sound Design Company: Supreme Music, Hamburg
Design Company: Hey Studio, Bracelona
Design Companies Designer(s): Verònica Fuerte/Clàudia Laporte/Marina Nafría/Laia Ferran
Photo Post-Production Company: Blink Imaging, Munich
Photographers: Steve Marais/Kyla Elaine
Customer Success Manager - hmmh: Alina Helbig
Project Management - hmmh: Liz Hageman
Frontend & Design - hmmh: Jonah Stefanovic
Tech Lead - hmmh: Frank Richter
Product Owner - hmmh: Bastian Falldorf
Unit Directors - hmmh: Sven Holldorf/Lukas Miggo
Partner Managers - Maxcluster: Markus Merkwirth-Timm/Jan Ahlers
Talent: Bill Kaulitz

Cultural Context:
Queer rights remain a global priority, yet progress is increasingly overshadowed by rising discrimination.

In Germany, hate crimes against LGBTQ+ individuals have risen by 36%, and 62 countries – one-third of the world – still outlaw same-sex relationships, with 12 imposing the death penalty.

Despite the stigma, same-sex relationships occur naturally in over 1,500 species. A notable German example is Berlin Zoo’s gay pelican pair, who successfully adopted and raised an abandoned chick.

These examples remind us that same-sex love is, and always has been, a natural part of life. The concept of Rainbow Wool emerged as a response to ethical and social concerns regarding queer human and animal rights.

In a world where demand for ethically produced goods is growing – particularly in Germany, where sustainable and fair production practices are increasingly valued – Rainbow Wool offers a meaningful solution.

By saving gay sheep from slaughter, the initiative highlights nature’s diversity and challenges harmful societal prejudices. At the same time, it supports the broader LGBTQ+ community, with proceeds going to advocacy organizations like the LSVD+.

The Problem:
Farmer and proud member of the Gay Farmers Association.

He faces not only prejudice for his sexuality but also existential challenges from record-low wool prices, rising costs, and regulatory hurdles.

We developed a way to create a sustainable revenue stream for his farm while supporting his community.

The Solution:
Did you know 1 in 12 sheep is gay? Since gay rams can’t be used for breeding, they are often sent to slaughter. We found a way to help openly gay farmer Michael Stücke help those gay sheep and gay humans at the same time. Introducing Rainbow Wool – the first gay textile thread for queer rights worldwide.

The thread was used for everyday fashion as well as haute couture. The brand was launched with the help of German Queer icon and Tokio Hotel front man Bill Kaulitz along with other influencers.

All profit from the products sold go directly to charities for the global fight for queer rights. With the sales of the thread, we also gave Michael’s wool prices a remarkable boost and helped create a circular, sustainable business model for his farm for years to come.

The Results:
Rainbow Wool launched with a frenzy of attention, achieving 1.3B impressions & €20M in earned media. Its unique story of saving gay sheep for queer rights reached 33 countries, including places where being gay is illegal, like Russia & Uganda.

The campaign dominated German TV, podcasts, radio, fashion publications & social media, generating €3.5M in influencer-earned media, 1.1M social engagements & 1.3M web visits—all from just €20K in paid media.

The project is projected to generate €1.6M in revenue by Q4 2025 through thread sales & 21,200 products across 25 SKUs, retailing at an average of €68.50. Starting with 125kg of raw wool valued at €2.5K, we increased its value to €151.5K & sold out for 2024, achieving an ROI of 1,212%.

Thanks to branded Pride collabs, thread production is pre-sold for the next 5 years, creating a sustainable revenue stream for Michael for years to come.

Fun fact: Rainbow Wool has just featured in Episode 5 of Kaulitz & Kaulitz on Netflix, and we've just officially partnered with Grindr USA for the upcoming New York Fashion Week.