Global PR Company of the Year:
Publicis Consultants, Paris
Bronze
Design
Craft: Typography
| Entrant: | Marcel, Paris |
| Brand: | Kiehl's |
| Title: | "Pubic Service Announcement" |
| Corporate Name of Client: | L'Oréal |
| Client Company Global Deputy General Manager: | Jon Sáenz |
| Client Company SVP Global Brand Engagement & Communications: | Steven Waldberg |
| Client Company SVP of Global Creative: | Mariano Testa |
| Client Company Global Senior VP, Marketing & Communication: | Elizabeth Counihan |
| Client Company AVP Global Social Media: | Nisha Linnett |
| Client Company AVP Global Communications & Advocacy: | Jena Bauer |
| Client Company Director Global Social Media: | Vanessa Andujar-Cheung |
| Client Company AVP US Brand Engagement: | Julie Selig |
| Client Company AVP US Consumer Activation Lead: | Julie Lubin |
| Client Company Senior Manager US Marketing: | Beverly Kwong |
| Client Company Manager US Social Media: | Eric Trevino |
| Client Company SVP US Marketing: | Isabelle Carramaschi |
| Agency: | Marcel , Paris |
| Agency CEOs: | Pascal Nessim/Charles George-Picot/Gaëtan du Peloux/Youri Guerassimov |
| Agency Chief Creative Officers: | Gaëtan du Peloux/Youri Guerassimov |
| Agency Senior Creative Director: | Gabrielle Attia |
| Agency Creative Maker: | Antoine Porcheray |
| Agency Copywriter: | Sydney Spence |
| Agency Senior Art Director: | Julien Schmitt |
| Agency Art Director: | Felipe Minella |
| Agency Digital Art Director: | Clement Lebon |
| Agency Color Grading & Motion Design: | Julien Taillez |
| Agency Motion Designer: | Olivia Garaud |
| Agency Video Editor: | Loick Tranier |
| Agency Layout Artists: | Mathieu Andrieu/Christophe Gillon |
| Agency Project Director: | Mathilde Vernier |
| Agency Project Manager: | Pauline Lemaitre |
| Agency Social Media Planner: | Calliste Garrabos |
| Agency Strategic Planner: | Maïlys Ducournau |
| Agency Business Director: | Nathalie Do Dang Vinh |
| Agency Group Account Director: | Bethany Catterson |
| Agency Account Director: | Claire Dumetz |
| Agency Account Manager: | Annabel Silvera |
| Agency General Directors: | Leoda Estève/enjamin Taieb |
| Agency Head of Traffic: | Laurene Ametowoglo |
| Agency Traffic Assistants: | Violette Bousquet/Lou Aussal |
| Production Company: | Prodigious, Paris |
| Production Company Head of Art Buying: | Nathalie Maudet |
| Production Company Art Buyer: | Marine Gleyzes |
| Production Company Photographer: | Dimitri Tolstoi |
| Production Company Model Maker: | Sandrine Le Mevel |
| Production Company Retoucher: | Mathieu Paul Gabriel |
| Font Expert - Publicis Resources: | Thomas Linard |
Cultural Context:
Women are now reclaiming the choice to have pubic hair, treating it as part of holistic body care, and social media is a key platform for them to speak out.
Kiehl’s, trusted skincare experts since 1851, aren’t ones to go with the status quo.
Born in New York’s East Village and deeply rooted in their community, they’ve always had a bit of a punk attitude. Now as a global brand, that rebel spirit has set them apart in the industry.
They strongly believe in love and respect for all skin, including skin with pubic hair; it’s natural, and there’s no shame in taking care of it. So, for the launch of their new grooming oil for intimate areas, Kiehl’s unveiled a campaign featuring proudly unwaxed models, defying the conventional beauty standards.
Not surprisingly, the campaign faced complaints, resulting with a ban in multiple locations, forcing Kiehl’s to take down the visuals. This ban indicates a clear cultural conservative shift in the US and the will to regulate and control women’s body and sexual wellbeing again.
The new campaign featured bold, sarcastic headlines written in the bushy type, like “Our photos of models with pubic hair were censored so we removed the models,” and “Apologies, we won’t show pubic hair ever again.”
To create “Pubic Display Type,” Kiehl’s enlisted an artist to handcraft each letterform from real pubic hair, using their historic Time New Roman font. Samples of colors and textures were donated by 33 individuals—celebrating uniqueness. Every curve, straight line, and fill adapted the hair’s direction, density, and movement to mirror natural growth. Texture dictated form, straight and thin required different techniques than curly and thick. Vectorizing would lose detail, so each letter was cut from PNGs, retouched, then converted to SVGs while preserving texture. Kerning was refined for readability. Finally, Kiehl’s released it as open source, so people could make the message their own.
Kiehl’s daring campaign contributed to enriching and expanding the discussion to normalize pubic hair—promoting acceptance and inclusivity.
However, despite the haters, bush was back. There was clear support for the initiative: 16,000 people downloaded the typeface, and 9,000 units of their pubic grooming oil were sold within just three weeks.
It was one of the brand’s best launches for a new product, and the most pubic hair in a campaign...ever.
Kiehl’s not only boosted its visibility but also contributed to a broader conversation about normalizing and embracing pubic hair diversity and inclusivity. The campaign helped transform a traditionally private topic into one worthy of public discourse and reflection.