Regional Music & Sound Company of the Year: North America
Barking Owl, Los Angeles
Finalist
Music & Sound
Original Music with Lyrics
| Entrant: | Barking Owl, Los Angeles |
| Brand: | MGA Entertainment |
| Title: | "Diss-Mas" |
| Corporate Name of Client: | MGA Entertainment |
| Client Company: | MGA Entertainment, Chatsworth |
| Client Company Vice President: | Ashlee Messe |
| Client Company Vice President, Global Corporate Communications: | Alan Hilowitz |
| Client Company Vice President, Digital Marketing: | Calvin Lim |
| Client Company Group Creative Director: | Cassandra Scholnick |
| Chief Marketing Officer: | Josh Hackbarth |
| Client Companies Senior Directors, Integrated Marketing: | Nicole Smith/Carson Mossman |
| Client Company Production Designer: | Marlena Pavich |
| Client Company Associate Brand Manager: | Natalie Anis |
| Client Company Project Manager: | Alex Ying |
| Agency: | VIRTUE Worldwide, New York |
| Agency Presidents: | Kerry Tucker/Chris Garbutt |
| Agency Chief Creative Officer: | Chris Garbutt |
| Agency Executive Creative Director: | Heather “McT” McTavish |
| Agency Associate Creative Directors: | Mauricio Santos/Will Stallmeyer |
| Agency Head of Production: | Jill Rothman |
| Agency Executive Producer: | Danielle Russo |
| Agency Senior Designer: | Sarah May |
| Agency Program Director: | Melinda Hecht |
| Agency Group Account Director: | Rachel Patel |
| Production Company: | Pulse Films, Los Angeles |
| Production Company President: | Mino Jarjoura |
| Production Company Director: | Zachary Dov Wiesel |
| Production Company Line Producer: | Mike Lev |
| Production Company B-Unit Video: | David Quateman |
| Production Company Stills Photographer: | Bellamy Brewster |
| Post-Production Company: | Cartel, Los Angeles |
| Post-Production Company Executive Producer: | Evyn Bruce |
| Post-Production Company Producer: | Abby Siegel |
| Post-Production Editor: | Emma Blackman |
| Post-Production Company Assistant Editor: | Elle Nava |
| Post-Production Company Cutting Assistant: | Setareh Jalali |
| Color Company: | Company3, Los Angeles |
| Color Company Colorist: | Matt Wallach |
| Color Company Producer: | Jenny Roberts |
| Sound Design Company: | Barking Owl, Los Angeles |
| Sound Design Company Managing Director: | Carol Dunn |
| Sound Design Executive Producer: | Ashley Benton |
| Sound Design Producer: | Jenna Pangilinan |
| Sound Design Companies Sound Designer(s): | Stuart St. Vincent Welch/Mikayla Petersen |
| Sound Design Companies Sound Mixer(s): | Stuart St. Vincent Welch/Mikayla Petersen |
| Sound Design Company Sound Mix Assistant: | Henry Gilchrist |
| Music Production Company: | Barking Owl, Los Angeles |
| Music Production Creative Director: | Johanna Cranitch |
| Music Production Executive Producer: | Ashley Benton |
| Music Production Producer: | Jenna Pangilinan |
| Music Production Company Managing Director: | Carol Dunn |
Cultural Context:
2024 was also the year diss tracks dominated culture. Beef between Kendrick Lamar and Drake broke the Internet.
In partnership with VIRTUE, MGA saw an opportunity to flip the script for kids everywhere, calling out one of kids’ biggest holiday pet-peeves by tapping into the power of diss tracks.
Amplified by the viral sensation The Rizzler, Diss-Mas reimagined the traditional toy catalog as a cultural event and a rallying cry — a shoppable music video diss track that took over YouTube and streaming platforms, fusing direct commerce with entertainment.
Within 24 hours, Diss-Mas went viral, flooded social media, and ultimately sold out inventory. Holiday toy catalogs will never be the same again.
MGA wanted to find a new way to stand out in a cluttered retail environment, and so they reinvented the holiday toy catalog—not just as a shopping tool, but as a cultural moment.
Their key insight? Gift cards were projected to be the #1 holiday gift in 2024. But kids don’t want gift cards. They want toys! Pair that with the fact that this was the year of the diss track, and the idea emerged.
With gift cards poised to dominate the holiday season, MGA took a stand. Rather than releasing a traditional toy catalog, MGA tapped into the viral power of diss tracks, a cultural phenomenon in 2024.
The campaign, created with VIRTUE Worldwide, was a shoppable music video featuring The Rizzler, a 7-year-old social media sensation, who delivered a diss track against gift cards. The video debuted on YouTube, quickly gaining traction. Within 24 hours, it exploded online, generating millions of views, and massive press coverage.
Most importantly, the shoppable nature of the video enabled MGA to translate views directly into sales, short-circuiting the traditional funnel and converting awareness directly into sales. Diss-mas drove product sell outs during MGA’s most critical season of the year…
Instead of another holiday toy catalog, MGA flipped the script with Diss-Mas—a diss track-driven campaign that turned holiday shopping into entertainment. The battle? Gift cards vs. MGA toys.
MGA and VIRTUE tapped viral sensation The Rizzler, to drop a high-energy diss track music video on YouTube. Designed for virality, the campaign spread across streaming platforms and social media, sparking remixes, reaction videos, and cultural buzz.
By merging retail with 2024’s hottest music trend, MGA turned the holiday toy battle into an unmissable cultural event—one that made MGA impossible to ignore.
Sales Impact: Featured toys sold out within 24 hours, significantly outperforming projections.
Digital Reach: The shoppable music video garnered 7M+ views across platforms.
Engagement & Shareability: 3.4M impressions from reshares and remixes, fueling organic growth.
Press Coverage: 545.7M impressions from media outlets covering the campaign.
Brand Awareness: MGA’s name recognition skyrocketed, positioning it alongside top competitors like Mattel and Lego.
Most importantly, Diss-Mas proved that the holiday toy catalog isn’t obsolete—it just needed a cultural remix. By blending music, commerce, and viral trends, MGA Entertainment turned a marketing challenge into an unforgettable moment that will influence holiday marketing for years to come.