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Entrant: McCann NY, New York
Brand: Mastercard
Title: "From Fan to Featured"
Corporate Name of Client: Mastercard
Client Company: Mastercard, New York
Chief Marketing Officer: Raja Rajamannar
Client Head of Global Brand Marketing: Rustom Dastoor
Client Head of Brand Marketings: Anne Valentzas/Will O’Connor
Client Senior Brand Managers: Mike Morettoni/Aimee Atkinson/Luis Araujo Zue/Alyssa Rosenblatt/Margaret Williams
Client Account Directors: Shelby Ladenheim/Ciel VanderVeen/Tara Marston/Joyce Hui/Mannie Thompson
Client Account Managers: Tyler Mason/Chanelle Lowe/Paul Giordano
Client Company Senior Counsel: Maeve Rothman
Client Company VP Legal Counsel: New York
Client Company NAM Sponsorships: Anna Blanchard
Client Company Associate Specialist, Communications: Emily Roush
Media Company: Carat, New York
PR Company: Ketchum, New York
Entertainment Company: Rogers & Cowan PMK, New York
Agency: McCann XBC, New York
Agency President: Veronica Bertran
Agency Global Chief Creative Officer: Javier Campopiano
Agency Chief Creative Officers: Britt Nolan/Sean Bryan
Agency Executive Creative Director: Jim Curtis
Agency Group Creative Directors: Dan Grech/Jon Yasgur
Agency Creative Directors: Ryan Barrett/Reto Oetterli
Agency Creatives: Manuel Castillo/Enrique Torguet/Anastasia Serdukova
Agency Associate Creative Directors: Bec Matlioski/Andrea Raia/Paul Boupha/Stefan Rotaru/Anastasia Serdukova
Agency Senior Art Director: Cristian Trujillo
Agency Head of Production: Judi Nierman
Agency Senior Integrated Producers: Kaiti Furo/Katie Henry
Agency Music Producers: Jamie Jou/Colleen Dahlstrom
Agency Project Managers: Julia Grasso/Lexi Vogler/Grace Jiang/Emily Tully
Agency Social Media Director: Jaime Winner
Agency Social Community Managers: Regan Mason/Madison Jesmer
Agency Creative Excellence Director: Maru Sokolowski
Agency VP Creator Partnerships: Camille Dagorn
Agency EVP Head of Celebrity & Creator Partnerships: Kimberly Kress
Agency EVP Talent Partnerships: Danielle Korn
Agency EVP Executive Director: Evan Confield
Agency Managing Director: Alex Caredes
Agency Chief Strategy Officer: Liron Reznik
Agency Strategy Director: Renata Mittnacht
Agency Strategic Planners: Aubrey Burrough/Teanna Bass
Agency Business Director: Hovannes Moussati
Agency SVP Executive Account Director: Amanda Dagger
Agency Account Directors: Daniela Vinick/Eric Gentile
Agency Account Managers: Jenny Case/Izzy Calderon
Agency Senior Counsel: Suzanne Lupovici
Production Company: Merman , New York
Production Companies Managing Director(s): Kira Carstensen/Ellen Clarke
Production Company Executive Producer: Jessica Miller
Production Company Producer: Jil Harden
Production Company Project Manager: Kathryn Palmer
Production Company Storyboard: Laura Merians Goncalves
Post-Production Company: Craft , New York
Post-Production Companies Producer(s): Jack McKean/Will Kaplan
Post-Production Company Director of Post-Production: Dan Priore
Post-Production Editors: Rick Symonds/Lia Gordon
Edit Company: NO6 , New York
Edit Companies Editor(s): Jarrett Fijal/Riley Donigan
Edit Companies Producer(s): Corina Dennison/Laura Molinaro
Creative Studio Company: Morningview, Los Angeles
Music Production Company: Morningview, Los Angeles
Managing Partners of Morningview: Lady Gaga/Michael Polansky
Music Production Creative Director: Lady Gaga
Music Production Executive Producers: Lady Gaga/Michael Polansky/Andrew Watt
Music Production Producers: Lady Gaga//Andew Watt/Cirkut
Music Production Supervisors: Lady Gaga//Andew Watt/Cirkut
Producer for Morningview: Bobby Campbell
Music Production Music Arrangers: Lady Gaga//Andew Watt/Cirkut
Music Production Composers: Lady Gaga//Andew Watt/Cirkut
Music Production Lyricist: Lady Gaga
Record Label Company: Interscope Records, Santa Monica
Music Performed By: Lady Gaga//Andew Watt/Cirkut
Song Title: Abracadabra
Production Designer: Wesley Goodrich
Creative Director and Choreographer: Parris Goebel
Stylist: Hunter Clem
Key Makeup: Phuong Tran
Key Hair: Elena Gharbigi

Cultural Context:
For decades, the music industry operated like a pyramid. Labels, radio stations, and TV networks picked the artists, chose the singles, and controlled the channels of distribution.

Fans found themselves pushed into passive roles, listening to whatever the industry chose to promote. Not anymore. Social platforms like TikTok and YouTube have fundamentally changed the way we discover, create, and consume music.

Today, music culture moves bottom-up, not top-down — with fans playing an active role in shaping the industry. Now a song can go viral because a 17-year-old danced to it in a video. In fact, 84% of the songs that reached Billboard's Global 200 last year went viral fi rst on TikTok (TikTok).

And fan expectations have changed too. Being a passive listener is no longer enough. Fans remix, resample, and reimagine. They turn songs into memes, trends, even movements. They don’t just want to watch the moment — they want to be the moment.

The Problem:
Mastercard has historically set itself apart from competitors Visa and AmEx with its iconic “Priceless” platform — a brand promise built on emotion, not just fi nancial transactions.

But while “priceless” was a cultural force in the ’90s, young consumers today aren’t as familiar. In fact, less than half of consumers today can attribute the campaign to Mastercard. To secure its relevance with the next generation of future cardholders, Mastercard needed to reintroduce “priceless” in a way that speaks their language.

One space where we saw the opportunity to do something truly priceless: music. 88% of Gen Z say music shapes their identity, and 67% call themselves music superfans.

The Solution:
We needed an insight that would allow us to do something truly priceless for these young music fans. Our insight: Today’s music fans don’t just want to be listeners. They want to be part of the action. And what better way to bring fans into the action than through social? By tapping into the behaviors of Gen Z music fans on platforms they use daily, we saw an opportunity to turn fans from passive listeners into active participants — creating a movement that would earn attention and drive brand preference for Mastercard with Gen Z like never before. The creative idea was bold: turn the year’s most anticipated music video into the biggest casting call. We kicked things off by using our GRAMMYs TV spot to debut the music video for Lady Gaga’s new song, Abracadabra. Then, we did something unexpected. Partnering with Gaga, we launched a social dance audition, asking fans to recreate choreography from the video using #MastercardGagaContest. What followed was a full-scale social movement. Submissions poured in from all kinds of fans — parents, dance troupes, even the cast of Hamilton. Mastercard, Gaga, and creators fueled momentum in real-time, liking, reposting, and commenting on thousands of videos.. Then we recreated the Abracadabra video, shot-for-shot, with fans in the spotlight. This “fan edit” of the music video featured 32 non professional dancers (our contest winners), plus a Priceless Surprise: eight superfans got a private dance class with Gaga’s lead backup dancer — and a surprise appearance by Gaga herself.

The idea didn’t just engage fans as passive listeners. It put them center stage, giving them the priceless chance to go from fan… to featured.

The Results:
By taking a bottom-up approach in how we fueled fan passion, we turned fans of Lady Gaga into fans of Mastercard, amplifi ed Mastercard’s GRAMMYs presence like never before, and unlocked a new cohort of young cardholders.

Cultural movement: Over 2/3 of TikTok saw our launch video within just 48 hours. The campaign nearly tripled Mastercard’s followers on the platform. Earned attention: With over 1.4 billion video views—over half of them earned—we became TikTok’s #1 branded hashtag of 2025.

Brand preference: It drove a +29% brand lift among Gen Z—Mastercard’s largest Gen Z brand opinion uplift ever recorded.

But beyond the numbers, this was about something more. We proved that music today isn’t just meant to be heard—it’s meant to be participated in.

We staged a complete paradigm shift. Taking Gaga’s Little Monsters from fan…to featured.