Regional PR Company of the Year: South America
Tulom, São Paulo
Finalist
Creative Strategy
Finance
| Entrant: | SERVICEPLAN GERMANY, Munich |
| Brand: | Herconomy |
| Title: | "Breastmilk Money" |
| Corporate Name of Client: | Herconomy |
| Client Company: | Herconomy, Lagos |
| Client CEO: | Ifedayo Durosinmi-Etti |
| Clients: | Precious Armstrong/Durowaye Kofoworola Omobolaji/Jane Obioha |
| Expert Consultant - The BestFeeding Club: | Dr. Lope Adejuyigbe |
| Expert Consultant - Milky Express: | Titilayo Medunoye |
| Media Company: | MEDIAPLUS GERMANY, Munich |
| Media Company Chief Creative Officer: | Maximilian Florian Schöngen |
| Media Company Director Creative Media & Awards: | Sabrina Duchow |
| Media Company Creative Media & Award Manager: | Oliver Porwol |
| Media Company Senior Digital Media Consultant & Creative Media Manager: | Maximilian Zorg |
| Media Company Senior Client Consultant & Director Creative Media: | Lukas Pachoinig |
| OOH Media Agency Company: | Curiosity Africa, Dubai |
| Managing Partner - Curiosity Africa: | Carine Haffejee/Alexei Pashkov |
| Country Manager/Account Director - Curiosity Africa: | Eniola George/Oksana Konoreva |
| PR Company: | Tulom, São Paulo |
| PR Consultants: | Karan Novas/Felipe Turlão |
| Agency: | SERVICEPLAN GERMANY, Munich |
| Agency Global Chief Creative Officer - SERVICEPLAN GROUP: | Alex Schill |
| Agency Executive Creative Directors: | Lorenz Langgartner/Franz Röppischer |
| Agency Creative Director: | Dennis Fritz |
| Agency Copywriters: | Shruthi Subramanian/Babi Puttini/Javier Granados |
| Agency Art Directors: | Camille Nizet/Tanvi Phalak/Rohil Borole/Kai West Schlosser |
| Agency Motion Designers: | Klas Batschkus/Margarita Nikolajeva/Michal Kuśmierz |
| Agency Global Head of Creative Operations - SERVICEPLAN GROUP: | Sabine Gwinner |
| Agency Creative Operations Manager - SERVICEPLAN GROUP: | Martina Ahrens/Susan Horn/Alexandra Grimm |
| Agency Account Manager: | Nina Joster |
| Agency Director Fundings and Partnerships: | Ivana Radovanovic |
| Digital Company: | PLAN.NET GERMANY, Munich |
| Digital Technical Creative Director: | Carsten Popp |
| Digital UX Designers: | Helen Birke/Ursula Jäger |
| Founder & Creative Director - Cotton Design: | Talia Cotton |
| Designer Coder - Cotton Design: | Chris Kim |
| Creative Director - Eat, Sleep + Design: | Frank Gräfe |
| Founder - Persuasion Communications: | Jane Austin |
| Head of Creative Strategy - Persuasion Communications: | Alexandra Jardine |
| Brand Strategy Director - Persuasion Communications: | Anisha Vekaria |
| Account Executive - Persuasion Communications: | Alissia DeGregory |
| Production Company: | We Make Them Wonder, Munich |
| Director: | Fariba Buchheim |
| Production Companies Executive Producer(s): | Paul Jax/Maximilian Valentin |
| Production Company Producer: | Daniela Boldt |
| Director of Photography: | Manuel Lübbers |
| Assistant Camera: | Sebastian Krenn/Silverlyne Asugo |
| Production Company Post-Production Supervisor: | Maximilian Porsche |
| Production Companies Production Assistant(s): | Nina Koch/Noah Nitschke/Linus Oswald |
| Colorist: | Adrian Honsberg |
| Set-Design: | Bola Belo/Gbolahan Ifeoluwa Jacob |
| Line Producer: | Korbinian Maier |
| Post-Production: | János Kiss |
| Motion Designer: | Federico Leggio |
| VFX Company: | SERVICEPLAN GERMANY, Munich |
| VFX Company Managing Partner: | Alexander Nagel |
| VFX Company Head of Postproduction: | Maggy Fischer |
| VFX Companies Lead Artist(s): | Tony Nitschke/Christoph Struber |
| Edit Company Editor: | Marie Izard |
| Sound Design Producer: | Jürgen Branz |
| Sound Design Company Sound Designer: | Martin Linka |
| Sound Design Company Sound Engineer: | Prince Onwutuebe |
| Sound Design Company Composer: | Christoph Groß |
| Photographers: | Yagazie Emezi/Nengi Nelson |
| Development Company: | Standardabweichung, Munich |
| Creative Coder - Standardabweichung: | Daniel Kuhnlein |
| Journalist: | Ogechi Ekeanyanwu |
| Managing Partner - Octerra Capital: | Ashim Egunjobi |
| Casting Agents: | Olasunkanmi Adebayo/Victoria Okogwu |
Cultural Context:
Despite WHO guidelines recommending six months of exclusive breastfeeding, only 29 percent of Nigerian mothers achieve this.
Formula feeding is often perceived as aspirational, a symbol of modern success. Breastfeeding, on the other hand, is stigmatized and under supported.
Women face pressure from workplaces, families, and peers to switch to formula early. Formula itself is a costly choice, consuming over 30 percent of monthly income for many households.
Yet no product or institution recognized breastfeeding as an economic act. Breastmilk Money was created to change that.
In Nigeria, financial systems overlook women in caregiving roles, leaving them excluded from tools that could empower them. Herconomy, Nigeria’s first digital bank for women, identified a strategic gap.
Breastfeeding mothers were saving real money by not buying formula, but had no mechanism to track that saving, grow it, or feel rewarded for it.
Mothers enter their baby’s age and feeding level. Using WHO breastfeeding standards and live formula prices from the National Bureau of Statistics, the app calculates how much the mother saves by not buying formula.
That amount is automatically transferred each month into a sub account that earns 14.3% interest. The rate reflects Oxford University research linking breastfeeding to a 14.3% increase in cognitive development.
The app experience is built for real life. It is intuitive, mobile first, and designed for one handed use. Animated meters and milestones make the experience emotionally rewarding. The interface helps mothers track savings, understand their value, and take pride in their care work.
The product launched at Nigeria’s largest women’s finance conference and was supported by an integrated campaign. It included education resources, out of home activations in key regions, social media with mom influencers, PR coverage, and partnerships with maternal health advocates.
The campaign did not assume who can or cannot breastfeed. It simply made the value of care work visible for those who do.
Breastfeeding rates increased by 9 percent in targeted regions, Herconomy app sign ups grew by five times, Users calculated over 35 million US dollars in potential savings, The campaign generated more than 150 million dollars in earned media.
More importantly, the product shifted how mothers see themselves and how society views breastfeeding. It reframed maternal care as an economic act, offering women recognition and control without asking them to do anything new.
It also expanded the role of a digital bank, turning Herconomy into a platform for maternal empowerment, financial inclusion, and health equity. Breastmilk Money made invisible labor count, using a tool every mother already owns, her phone.