Global Independent Network of the Year:
SERVICEPLAN GROUP
Finalist
Creative Use of Data
Data-Led Creativity
| Entrant: | SERVICEPLAN GERMANY, Munich |
| Brand: | Herconomy |
| Title: | "Breastmilk Money" |
| Corporate Name of Client: | Herconomy |
| Client Company: | Herconomy, Lagos |
| Client CEO: | Ifedayo Durosinmi-Etti |
| Clients: | Precious Armstrong/Durowaye Kofoworola Omobolaji/Jane Obioha |
| Expert Consultant - The BestFeeding Club: | Dr. Lope Adejuyigbe |
| Expert Consultant - Milky Express: | Titilayo Medunoye |
| Media Company: | MEDIAPLUS GERMANY, Munich |
| Media Company Chief Creative Officer: | Maximilian Florian Schöngen |
| Media Company Director Creative Media & Awards: | Sabrina Duchow |
| Media Company Creative Media & Award Manager: | Oliver Porwol |
| Media Company Senior Digital Media Consultant & Creative Media Manager: | Maximilian Zorg |
| Media Company Senior Client Consultant & Director Creative Media: | Lukas Pachoinig |
| OOH Media Agency Company: | Curiosity Africa, Dubai |
| Managing Partner - Curiosity Africa: | Carine Haffejee/Alexei Pashkov |
| Country Manager/Account Director - Curiosity Africa: | Eniola George/Oksana Konoreva |
| PR Company: | Tulom, São Paulo |
| PR Consultants: | Karan Novas/Felipe Turlão |
| Agency: | SERVICEPLAN GERMANY, Munich |
| Agency Global Chief Creative Officer - SERVICEPLAN GROUP: | Alex Schill |
| Agency Executive Creative Directors: | Lorenz Langgartner/Franz Röppischer |
| Agency Creative Director: | Dennis Fritz |
| Agency Copywriters: | Shruthi Subramanian/Babi Puttini/Javier Granados |
| Agency Art Directors: | Camille Nizet/Tanvi Phalak/Rohil Borole/Kai West Schlosser |
| Agency Motion Designers: | Klas Batschkus/Margarita Nikolajeva/Michal Kuśmierz |
| Agency Global Head of Creative Operations - SERVICEPLAN GROUP: | Sabine Gwinner |
| Agency Creative Operations Manager - SERVICEPLAN GROUP: | Martina Ahrens/Susan Horn/Alexandra Grimm |
| Agency Account Manager: | Nina Joster |
| Agency Director Fundings and Partnerships: | Ivana Radovanovic |
| Digital Company: | PLAN.NET GERMANY, Munich |
| Digital Technical Creative Director: | Carsten Popp |
| Digital UX Designers: | Helen Birke/Ursula Jäger |
| Founder & Creative Director - Cotton Design: | Talia Cotton |
| Designer Coder - Cotton Design: | Chris Kim |
| Creative Director - Eat, Sleep + Design: | Frank Gräfe |
| Founder - Persuasion Communications: | Jane Austin |
| Head of Creative Strategy - Persuasion Communications: | Alexandra Jardine |
| Brand Strategy Director - Persuasion Communications: | Anisha Vekaria |
| Account Executive - Persuasion Communications: | Alissia DeGregory |
| Production Company: | We Make Them Wonder, Munich |
| Director: | Fariba Buchheim |
| Production Companies Executive Producer(s): | Paul Jax/Maximilian Valentin |
| Production Company Producer: | Daniela Boldt |
| Director of Photography: | Manuel Lübbers |
| Assistant Camera: | Sebastian Krenn/Silverlyne Asugo |
| Production Company Post-Production Supervisor: | Maximilian Porsche |
| Production Companies Production Assistant(s): | Nina Koch/Noah Nitschke/Linus Oswald |
| Colorist: | Adrian Honsberg |
| Set-Design: | Bola Belo/Gbolahan Ifeoluwa Jacob |
| Line Producer: | Korbinian Maier |
| Post-Production: | János Kiss |
| Motion Designer: | Federico Leggio |
| VFX Company: | SERVICEPLAN GERMANY, Munich |
| VFX Company Managing Partner: | Alexander Nagel |
| VFX Company Head of Postproduction: | Maggy Fischer |
| VFX Companies Lead Artist(s): | Tony Nitschke/Christoph Struber |
| Edit Company Editor: | Marie Izard |
| Sound Design Producer: | Jürgen Branz |
| Sound Design Company Sound Designer: | Martin Linka |
| Sound Design Company Sound Engineer: | Prince Onwutuebe |
| Sound Design Company Composer: | Christoph Groß |
| Photographers: | Yagazie Emezi/Nengi Nelson |
| Development Company: | Standardabweichung, Munich |
| Creative Coder - Standardabweichung: | Daniel Kuhnlein |
| Journalist: | Ogechi Ekeanyanwu |
| Managing Partner - Octerra Capital: | Ashim Egunjobi |
| Casting Agents: | Olasunkanmi Adebayo/Victoria Okogwu |
Cultural Context:
Cultural pressure, workplace challenges, and the aggressive marketing of infant formula contribute to this low rate. At the same time, formula is extremely expensive, often taking up more than 30 percent of a family’s monthly income.
Mothers who choose to breastfeed are saving real money, but that saving is neither visible nor valued. Financial systems do not track it, and public health systems do not reward it. The absence of recognition reinforces the false perception that breastfeeding has no tangible worth.
The opportunity was to use real time local data to measure and translate the value of breastfeeding into a personal financial benefit. But doing this in a way that is relevant to mothers requires more than just data collection.
It requires making that data emotional, empowering, and easy to engage with inside a digital product.
The app uses WHO breastfeeding standards to estimate how many milliliters of breastmilk are produced per day. It then cross references this with Nigeria’s National Bureau of Statistics to calculate the local market price of the equivalent formula.
That amount is transferred into a sub account that earns 14.3% interest, reflecting the proven cognitive development gains of breastfeeding. All calculations update monthly based on live price data and the baby's developmental stage.
Beyond the backend logic, the data was made human. The app uses visual feedback, celebratory milestones, and animated meters to show mothers the real value of their care work. The design makes complex data feel personal. The more mothers feed, the more they see their account grow. The more they grow, the more confidence they gain.
Breastmilk Money showed how data could change perception. It turned breastfeeding into a financial behavior and made women’s invisible contributions measurable, meaningful, and profitable. What was once emotional labor became a visible investment in both health and wealth.