Bronze
Production & Post-Production
Stop-Frame Animation Campaign
| Entrant: | The Martin Agency, Richmond |
| Brand: | Cinnamon Toast Crunch Cereal - Must Cinnadust Campaign |
| Title(s): | "Fridge", "Alley", "Last Piece", "Plastic Sheet", "Spoon", "Swim", "BTS" |
| Corporate Name of Client: | General Mills |
| Client Company: | General Mills, Minneapolis |
| Client CEO: | Jeff Harmening |
| Client President: | Dana McNabb |
| Client Global Creative Director: | Melissa Wildermuth |
| Client Executive Producer: | Becky DaWald |
| Client Strategist: | Lisa Poerio-Shimek |
| Client Sr. Marketing Communications Manager: | Brandon Tyrrell |
| Client Sr. Brand Manager: | Kate Erickson |
| Client Senior Brand Experience Manager: | Charis Wilson |
| Client Director/Brand Experience, Morning Foods: | Mindy Murray |
| Client Associate Manager - Brand Experience: | Kayla Schindler |
| Client Business Unit Director, Kid Cereal and Cereal: | Megan Brooks |
| Client Director/Consumer and Market Intelligence-Morning Foods Operating Unit: | Scott Marcoux |
| Client Sr. Manager Applied Insights Innovation and Consumer Experience: | Geetha Gansan |
| Media Company: | UM US , New York |
| Media Company SVP, Planning: | Dana Modafferi |
| Media Company VP, Planning: | Kristyn Tremblay |
| Media Company Director, Planning: | Alden Terry |
| Media Company Manager, Planning: | Samantha Weissman |
| Media Company VP, Strategy: | Sara Murali |
| Media Company Associate Director, Strategy: | Fiona Galey |
| Media Companies Senior Associates, Performance: | Jillian Herold/Buckley Tan/Anna Papadopoulos |
| Media Company Director, Performance: | Jamie Frishman |
| Media Company Associate Director, Performance: | Jaylor Satta-Ellis |
| Media Companies Managers, Performance: | Kaylee McFerson/Julie Siegal |
| Media Company VP, Investment: | Kaitlin Dietz |
| Media Company Director, Investment: | Erin Murphy |
| Media Companies Associate Directors, Investment: | Maraide Cifelli/Hannah Min |
| Agency: | The Martin Agency , Richmond |
| Agency CEO: | Danny Robinson |
| Agency Chief Creative Officer: | Jerry Hoak |
| Agency Executive Creative Director: | Ashley Marshall |
| Agency Group Creative Director: | Anne Marie Hite |
| Agency Creative Director: | Danielle Delph |
| Agency Associate Creative Director - Copy: | Katie Samuelsen |
| Agency Associate Creative Director - Art: | Drew Butler |
| Agency Senior Copywriter: | Dave Ashton |
| Agency Copywriter: | Alyssa Mihalik |
| Agency Senior Art Director: | Lex Cabrera |
| Agency Art Director: | Taylor Martin |
| Agency Senior Art Producer: | Sara Levi |
| Agency Head of Design: | Rique Martins Santiago |
| Agency Designer: | Mike Wilgus |
| Agency Executive Producer: | Nicole Lederman |
| Agency Producer: | Marjorie Fajardo |
| Agency Digital Producer: | Kim Zaninovich |
| Agency Senior Project Manager: | Angela Hopgood |
| Agency Director of Studio: | Gregory Cassidy |
| Agency Account Executive: | Heather Haynes |
| Agency Account Supervisors: | Becki Smith/Corinne Barrow/Alana Boyd |
| Agency Group Account Director: | Chuka Schneider |
| Agency Account Director: | Sophie Wolf |
| Agency Associate Director, Business Affairs: | Suzanne Wieringo |
| Agency Director of Business, Legal and Financial Affairs: | Ramin Mirshah |
| Agency Associate Director, Financial Affairs: | Kelly Clow |
| Agency Group Strategy Director: | Kirk Luo |
| Agency Strategic Planning Director: | Kaely Egan |
| Agency Senior Communications Strategist: | Michael Bonavita |
| Agency Senior Strategic Planner: | Ellie Proctor/Lexi Magenheim |
| Agency Influencer Partnerships Director: | Jake Rosenblatt |
| Agency Associate Director, Entertainment Partnerships: | Matt Kessler |
| Agency Cultural Impact Lab Director: | Kara Feigenbaum |
| Agency Sr. Brand Communications Manager: | Sophie Diskin |
| Agency Billing Supervisor: | Rhonda Bailey |
| Production Company: | Passion Pictures , London |
| Production Company Director: | Tom O’Meara |
| Production Company 1st AD: | Rory Shaw |
| Production Company Executive Producer: | Kitty Turley |
| Production Companies Producer(s): | Steven Riley/Hannah Lawson |
| Production Company DoP: | Matthew Day |
| Production Company Camera Operator: | Toby Goodyear |
| Production Company Production Assistant: | Karlos Green |
| Production Companies Stop Motion Animators: | Mark Waring/Steve Warne/Tobias Fouracre |
| Production Company Head of CG: | Simon Brown |
| Production Companies CG Animators: | Wesley Coman/Stuart Doig/David Burtle |
| Production Company CG Coordinator: | Matthew Jenkerson |
| Production Company Head of FX: | Colin Perrett |
| Production Company VFX Supervisor: | Dave Walker |
| Production Companies Editing: | Tom O’Meara/Joshua Luigi Bowen |
| Production Company Head of Production: | Juliette Stern |
| Production Company Gaffer: | Aldo Camilleri |
| Production Company Spark: | Timothy O’Connell |
| Production Companies Rigging: | Minimo/Colin Perrett |
| Production Companies Model Makers: | Sarah Crombie/Yossel Simpson/Ben Côté/Anita Brūvere/Areeya Bass |
| Production Companies CG Modeling: | Gabriel Lienard/Mattias Bjurstrom |
| Production Companies Background and Prop Design: | Karlos Green/Sarah Crombie/Yossel Simpson/Anita Brūvere/Areeya Bass |
| Production Companies Compositing: | Claudia Vilcu/Isabella Ferrari/David Lea/Ale Borges/Artur Margiv |
| Production Company Texture and Shading: | Auriele Fiore |
| Production Company Light and Render: | Idris Honnor |
| Production Company Matte/BG Painting: | Dan Lambert |
| Production Companies Storyboard Artist: | Dirk van Dulmen/Duncan Gist |
| Production Company Art Director: | Sarah Crombie |
| Production Companies Character Design: | Nathan Flynn/Jakub Gryglicki |
| Production Company Graphic Design: | Andrew Tapper |
| Production Companies Concept Art: | Alejandro Diaz Cardoso/Jakub Gryglicki |
| Production Company Food Stylist: | Lucy Ruth Hathaway |
| Production Company Food Assistant: | Faswinder Jhalli |
| Production Company Behind the Scenes: | Joseph Eckworth |
| Production Company Tracking: | Matt Merk |
| Post-Production Company: | Stone Dogs |
| Post-Production Companies Executive Producer(s): | Richard Hawkins/Joe West |
| Color Company: | Stone Dogs , London |
| Puppet Maker: | Andy Spradbery |
| Puppet Rigger: | Robin Jackson |
| EP Cover: | Anna Cunnington |
| Producer Cover: | Amy Ashton |
| Sound Design Company: | Tempest , New York |
| Sound Design Companies Composer(s): | Aaron Kotler/Mike MacAllister/Aaron Kotler/Mike MacAllister/Joe Barbieri/Sofia Luetich |
Cultural Context:
When we set out to make Cinnamon Toast more relevant to an older teen audience, we knew we had to take a visual approach that didn’t just stop their scrolls, but would stand out from the low-effort disposable content that had taken their FYP hostage.
To get them to crave Cinnamon Toast Crunch, we had to remind them about what makes it so irresistible – the cinnadust covering every square – and do so in a way that speaks to their more mature sensibilities.
And it just so happens that our cinnadust-covered cereal has been eating itself for over a decade.
To modernize this iconic narrative and double-down on taste appeal, we took the classic “cereal-eating-cereal” concept and made it darker.
We created gritty style worlds that exist within a seemingly innocent kitchen setting. Spaghetti boxes turn into buildings, a spatula becomes a street light, an entire apartment exists within a cereal box.
Our meticulously cinnadust-covered villains and victims lurk through these worlds, stepping in and out of pools of light shot with noir-style angles, capturing the glistening cinnadust in each frame. We hear their inner monologues as they explore questions of guilt and identity, while still choosing to devour the cereal in the end, much like a true crime killer would.
These dark storylines and richly detailed shooting styles vividly enhance the cereal’s taste appeal, all while driving home the character’s central conflict: the cereal squares taste so good, they can’t help but eat each other.
And it’s not just getting talked about – it’s getting real business results. Our campaign reminded teens about the irresistibility of cinnadust and drove 18x the average lift in consideration (against CPG brand benchmarks on the Meta brand lift study) and resulting in market share growth for the first time in a year, despite similar media investment.