Regional Network of the Year: North America
Ogilvy
Gold
Branded Content
Online Series
| Entrant: | Ogilvy, New York |
| Brand: | San Pellegrino CIAO! |
| Title: | "With Love, Italy" |
| Corporate Name of Client: | Nestle |
| Client Company: | Nestle, Vevey |
| Client Company Senior Marketing Director: | Thomas Conquet |
| Client Company International Head of Marketing, Italian Premium Brands: | Aude de Casabianca |
| Client Company Senior Marketing Manager: | Sara Mayer |
| Client Company International Digital Strategy Manager: | Alessandra Bottai |
| Client Company International Marketing Manager: | Kimberly Mills |
| Client Company Senior Strategic Creative and DEIB Production Lead: | Gilda Zevallos |
| Media Company: | OpenMind, New York |
| Media Company Global Head of Strategy: | Louise Martell |
| Media Company Executive Director, Client Lead: | Abby Cooper |
| Media Company Group Director, Partner: | Romeo Kabir |
| Media Company Associate Director: | Nicole Long |
| Media Company Manager: | Joey Loez |
| Media Company Senior Associate: | Daniella Carrion |
| Agency: | Ogilvy, New York |
| Agency Global Chief Creative Officer: | Liz Taylor |
| Agency Global Creative Lead, Nestlé/Deputy CCO EMEA: | Andre Laurentino |
| Agency Chief Creative Officer: | Samira Ansari |
| Agency Chief Creative Officer - NA: | Rafael Rizuto |
| Agency Executive Creative Director: | Wes Phelan |
| Agency Creative Directors: | Francesca Ferracini/Alice Terruzi/Elinor Beltrone/Francesca Bonomi |
| Agency Associate Creative Director: | Alice McCarthy |
| Agency Junior Copywriter: | Grant Davis |
| Agency Head of Art: | Hernan Ibañez |
| Agency Junior Art Director: | Shubhangi Sengupta |
| Agency Junior Designer: | Sophia Almendral |
| Agency Head of Production - NA: | Jessica Nugent |
| Agency Executive Producer: | Gloria Hall |
| Agency Project Manager: | Riley Bourbon |
| In-House Company Hogarth - Audio Producer: | Kyle St. Agathe |
| In-House Company Hogarth - Audio Engineer: | Dante DeSole |
| Agency Global Client Lead: | Sophie Hofstetter |
| Agency Global Managing Director: | Bethann Williams |
| Agency Global Strategy Partner: | Paul Matheson |
| Agency Strategy Director: | Hannah Lewman |
| Agency Group Strategy Director: | Leah Brier Bienstock |
| Agency Account Supervisors: | Maureen McKiernan/Matthew Fede |
| Agency Account Director: | Zoe Baker-Peng |
| Agency Media Director: | Kimberly Chmura |
| Agency Production Business Manager: | Georgia Zalk |
| Production Company: | Spark & Riot, New York |
| Production Company CEO: | Ana De Diego |
| Production Company Client Managing Director: | Joe Smith |
| Production Companies Director(s): | Danielle Menna/Nalle Sjoblad |
| Production Company Senior Producer: | Charlie Williams |
| Production Company Director of Photgraphy: | Max Smeds |
| Production Company Line Producer: | Cindy Fertitta |
| Production Company Writer: | Nalle Sjoblad |
| Production Company Writer: | Andrew Rubin |
| Production Company Project Manager: | Ines Gual de Torrella |
| Production Company Group Account Director: | Olga Tsoy |
| Production Company Senior Business Affairs Manager: | Samantha Katz |
| Color Company: | Company3, Santa Monica |
| Color Company Producer: | Jake Rioux |
| Color Company Colorist: | Kath Raisch |
| Edit Company: | Cabin, TBD |
| Edit Company Editor: | Chris Kelley |
| Edit Company Assistant Editor: | Mark Gutierrez |
| Edit Facility Post Producer: | Jasmine Henry |
| Music Production Companies: | Pickle Man, New York/Human, New York |
Cultural Context:
With the launch of its new flavored line, CIAO!, the brand saw an opportunity to introduce a more accessible, expressive product without losing its Italian heritage.
At this moment, U.S. culture is experiencing a nostalgia wave. The Sopranos, often hailed as the greatest TV show of all time, has re-entered the cultural conversation thanks to streaming, creator memes, and younger generations discovering the series for the first time.
Michael Imperioli and Steve Schirripa—beloved for their roles as Christopher and Bobby—have become pop culture figures in their own right, hosting a hit rewatch podcast and building loyal social followings.
By casting these two and placing them in a serialized social first short film, “With Love, Italy” let San Pellegrino take on a uniquely American mix of reverence and self-aware humor.
The campaign, crafted for U.S. social platforms, blended Italian authenticity with New Jersey attitude—an intentional nod to the Italian-American identity so familiar to many Americans. This wasn’t just a flavor launch—it was a cultural reset, helping San Pellegrino win attention, build relevance, and get cans in hands.
The insight: Italians are known for their boldness. 67% of Italian-Americans consider "boldly expressive" a key part of their identity. Our strategy was to position CIAO! as the first truly Italian sparkling water. It's bolder than other sparkling waters, with real fruit juice and Sicilian sea salt.
The campaign targeted the 18M Italian-Americans in the US (that’s almost 4x the population of Sicily) and anyone seeking a bolder sparkling water experience. It solved the problem of blandness with a taste of Italy. And so, "With Love, Italy" was born. It was a powerfully simple idea we could convey in engaging, short-form content across all our key social platforms.
Our idea? “With Love, Italy” it’s a gift from Italy, coming to America. Our two “ambassadors,” Michael Imperioli and Steve Schirripa, are the ones tasked with sharing this gift. But their reputation as iconic Sopranos characters gets in the way—no one trusts them enough to accept it.
We turned this tension into a serialized, socially-native series, captivating audiences who followed along, wondering if they'd ever successfully deliver their misunderstood gift. This breakthrough approach transcended typical beverage advertising, blending brand, entertainment, and community.
By playing into nostalgia and humor, we kept audiences engaged across episodes, transforming a product launch into appointment viewing.
The campaign culminated in a call for Americans to finally accept the gift, driving both emotional depth and organic traction. The campaign came to life as a 9-part episodic series, launched on YouTube and Instagram— the platforms where our Italian-American audience and culture fans were most active.
Each episode followed Michael Imperioli and Steve Schirripa as they tried to distribute CIAO!, with their mobster reputations hilariously getting in the way. Our final video called on Italian-Americans to help them finish the job, turning the campaign into a communal effort.
All content was edited natively for each platform, designed to feel like shareable entertainment rather than traditional advertising. To cap it off, the episodes were crafted into a short film, The Nice Guys, extending the campaign’s reach and life beyond social.
It wasn’t just effective delivery; it was story-first, platform-smart, and deeply rooted in community— ensuring CIAO! launched with authentic charm and cultural buzz.ic traction.
This success is directly tied to a campaign that captured attention and drove action.
The campaign went out with a bang. A whirlwind of PR coverage across 59 placements delivered 781M earned impressions. Social engagement skyrocketed +5,538% vs. the prior quarter.
On Instagram Reels alone, fans watched the content for the equivalent of 391 days in just two weeks — making them the brand’s top-performing Reels in five years, shared nearly 65K times. In the first two weeks post-launch, Ciao sales jumped +50%, generating $1.1M — the two biggest sales weeks since hitting shelves. Momentum hasn’t slowed since.
We kept the momentum going all summer long. People kept watching — delivering 1.2 billion impressions YTD, 33% above plan. This attention translated into real purchase intent: search for Sanpellegrino jumped +113%, and on Meta, the creative drove consideration lift 6.3x the CPG benchmark.
With Love, Italy isn’t just a product launch — it’s a sustained growth engine, and the year’s not even over.