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Entrant: Ogilvy, Chicago
Brand: SC Johnson
Title: "Zuzu"
Corporate Name of Client: SC Johnson
Client Company: SC Johnson, Racine
Client CEO: Fisk Johnson
Client Company Executive Vice President & President, International Consumer Brands: Gabe Cleek
Client Company SVP & CEO, SC Johnson Lifestyle Brands: Renata Ferraiolo
Client Company Executive Director, Plastics Sustainability: Jeffrey Bezzo
Client Company Senior Director, Sustainability: Sylvie Travard
Client Company Senior Director, Global Brand Public Relations & Reputation: William Masterson
Client Company Director of Marketing Operations - Content: Cameron Friedlander
Client Company Director, International Creative, Content, and Technology: Hunter Hedrick
Client Company Executive Director, Marketing & Regulatory Law: Sally Davis
Client Company Legal Counsel: Robert Jones
Client Company Cost Consultant (APR): Lila Romero
Media Company: Omnicom Media Group, US
PR Company: Zeno, Chicago
Agency: Ogilvy, Chicago
Agency Global Chief Creative Officer: Liz Taylor
Agency Deputy Chief Creative Officer, Worldwide: Joe Sciarrotta
Agency Chief Creative Officer - NA: Rafa Rizuto
Agency Executive Creative Directors: Adriano Matos/Niels Sienaert/Tim Schoenmaeckers
Agency Creative Director - Copy: G Andrew Meyer
Agency Creative Director - Art: Philipe Diao
Agency Senior Copywriters: Emma Bleznak/Victoria Pla
Agency Art Buyer: Kay Murphy
Agency Head of Design: Gabe Usadel
Agency Design Director: Chris Sorto
Agency Head of Production: Jessica Nugent
Agency Executive Producer: Jennifer Picarelli
Agency Senior Producer: Jennifer May Rosen
Agency Motion Designer: Casey Barteau
Agency Production Manager: Joan Shelton
Agency Project Managers: Molly Flores/Philip Puleo
Agency Head of Innovation, Digital: Kaare Wesnaes
Agency Digital Directors: Shannon Vinton/Kayla Bressi
Agency Digital Producer: Veronica Pepe
Agency Interactive Producer: Jessica Rivera
Agency Social Media Strategists: Yani Blackburn/Amy Wilcox/Leandra Djomo
Agency Social Media Directors: Christine Cotter/Ansley Williams/Jennifer Winberg/Susie Cha/Katherine Schofield
Agency Social Community Manager: Aundre Seals
Agency Content Manager: Christine Busby
Agency Content Producer: Anna Sefil
Agency Chief Operating Officer: Carina De Blois
Agency Senior Vice Presidents: Kappie Kopp/Jordan Lubowitz
Agency Executive Group Director: Lindsay Deeley
Agency Managing Directors: Gwen Hammes/Drew Warren
Agency Chief Marketing Officer: Phillip Heimann
Agency Head of Operations: Amanda Walton
Agency Head of Strategy: Chris Bridgland
Agency Strategy Directors: Jared Gruner/Sarah Peterson/James Hofeld
Agency Account Supervisor: Lauren Hiller
Agency Account Director: Leigh Uffelman
Agency Account Team: Francesca Lee
Agency Planning Director: Leslie Stocker
Agency Business Lead - VML: Tyler Murray
Agency Production Business Manager: Nancy Bernardin
Production Company: Scholars Film, South Africa
Production Company Director: Colwyn Thomas
Production Company 1st AD: Jaco Nel
Production Companies Producer(s): Tasmin Vosloo/Melissa Thorne
Production Company DoP: Devin Carter
Production Company Focus Puller: Gabriel Attwood
Production Company AC: Angus De La Harpe
Production Company Project Manager: Nosipho Mkhize
Production Company Grade: Kyle Stroebel
Production Company Editor: Jamie Taylor
Production Company Production Assistant: Jiajun Yu
Production Company Gaffer: Rory Hankins
Production Company Grip: Ari Stavrinos
Production Company Fixer: Janio Edward
Animation Company: Bitt Animation, Buenos Aires
Animation Companies Director(s): Marcos Ferrari/Franco BIttolo/Cristian Morales
Animation Company Executive Producer: Mariana Motta
Animation Companies Producer(s): Pilar Ramirez/Yanina Schiavone/Jaqueline Eckerdt
Animation Companies 3D Animation: Federico Gomez Valdez/Alejandro Ohanian/Pablo Grato/Pablo Lorenzo/Pablo Contento/Cesar Peralta/Juan Francisco Saravi
Animation Company VFX Supervisor: Nicolas Tarela
Animation Companies Concept Art: Claudio Iriarte/Bruno Ferrari
Animation Company Modelling and Shading: Luis Soria
Animation Companies 3D Rigging / Track: Nicolás Rossi/Federico Pippo/German Zapata/Arturo Chomyszyn/Daniel Venditti
Animation Companies 3D Lighting & Render: Juan Elias/Luis Soria/German Zapata/Pablo Perez
Animation Companies Matte Painting: Pablo Koutsovitis/Nicolas Zuriaga/Guillermo Kelly/Pablo Palomeque/Gabriel Alomar
Animation Companies Roto: Kiara Cosentino/Lucas Sfintzi
Animation Companies Compositing: Nicolas Fernandez/Daniel Perez/Soledad Garcia/Magali Carrion/Pablo Maiese/Sergio Azpeitia/Daniel Venditti
Animation Companies Conforming - Da Vinci: David Vargas/Diego Gonzalez Farina/Gabriel Nusdeo
Edit Company: Hogarth, Chicago
Edit Companies Editor(s): Matt Golin/Elijah Alvarado
Edit Company Producer: Rachel Stee1
Sound Design Company: Satélite Áudio , Sao Paulo
Sound Design Companies Managing Director(s): Roberto Coelh/ Kito Siqueira/Hurso Ambrif
Sound Design Producers: Thiago Colli/Koitty/Alexandre Avicena/Pedro Pelotas/Aloizio Lows/Luna França
Sound Design Companies Sound Mixer(s): Carla Cornea/Vithor Moraes/Arthur Dossa/Andre Giannini/Esteban Romero
Sound Design Companies Production Coordinator: Camila Guedes/Letícia Oliveira/Bea Vieira/Mariana Tardelli
Sound Design Companies Client Services: Fernanda Costa/Renata Schincariol/Daniel Chasin/Karen Nakamura
Design Company: Landor, Chicago

Cultural Context:
Plastic pollution has reached a tipping point — contaminating even the most remote corners of the planet, devastating marine life, and threatening human health.

In the U.S., 80% of people recycle, yet less than 10% of plastic is actually recycled. The system is broken: inconsistent state laws, underfunded infrastructure, and no producer accountability.

For decades, brands have leaned on “please recycle” messaging — shifting responsibility to consumers and implying the problem can be solved through individual action alone. But the reality is, recycling rates remain abysmally low, and this approach has failed to drive systemic change.

SC Johnson, a 137-year-old, family-owned company, has been tackling the crisis far beyond the slogan.

They’ve pioneered packaging made from recovered coastal plastic for brands like Windex, Duck, and Mr. Muscle; introduced refill and reuse systems; implemented tear-off recyclable labels; achieved zero-waste manufacturing in multiple facilities; and cut greenhouse gas emissions by 69% since 2000, with a 90% reduction target by 2025.

While most corporations lobby to weaken environmental rules, SC Johnson is doing the opposite — championing federal Extended Producer Responsibility (EPR) legislation to hold producers accountable for the full lifecycle of their packaging.

The Problem:
Despite decades of “please recycle” campaigns, the U.S. recycling system is failing. The burden of plastic waste falls on consumers and local governments, while corporations continue producing single-use plastics at scale.

EPR legislation could transform the system — incentivizing sustainable design, improving recycling rates, and reducing waste — but it faces political resistance and low public awareness. The concept is complex, policy-heavy, and not naturally engaging for mass audiences.

The challenge: make a politically charged policy issue emotionally resonant enough for everyday people to care, share, and act.

Traditional guilt-driven campaigns risk alienating audiences, while small-scale “do your part” messages fail to address the root cause.

SC Johnson needed a breakthrough approach — one that would bypass fatigue, inspire hope, and mobilize public support for systemic change. The solution had to make people feel the problem in a way that was relatable, memorable, and impossible to ignore.

The Solution:
Enter Zuzu — a small hermit crab with a big mission. Inspired by real crabs forced to use plastic waste as shells, Zuzu became the campaign’s emotional anchor and unlikely spokesperson. Designed as a photoreal, non-speaking character, Zuzu is instantly endearing yet rooted in reality — a living metaphor for the plastic crisis.

Zuzu debuted with a surprise Oscars Red Carpet appearance, sparking online speculation, conversation, and even his own meme-coin. Zuzu’s short film launched immediately after, driving audiences to sign a petition for federal EPR legislation.

TikTok and Instagram are at the heart of Zuzu’s daily social media presence, with culturally relevant content that balances playfulness with education.

He interacts directly in the comments of brands, NGOs, media outlets, and influencers, sparking conversation and extending reach. Influencer collaborations — including celebrities like Jared Leto and Nina Dobrev — amplify his message to new audiences.

High-impact OOH — including a 280-foot long billboard and Times Square presence — PR moments on World Recycling Day and Earth Day, a full-page in the Financial Times and appearances at sports events, kept momentum high. Zuzu also paired up with 4Ocean to create 12,500 custom bracelets made from the plastic recovered on his beach.

In June, Zuzu’s film was screened at the 2025 UN Ocean Conference in Nice in front of an audience of industry-leaders, legislative allies and policymakers, followed by an in-depth panel discussion on global plastic regulation.

The Results:
Zuzu isn’t a single campaign effort. This curious and endearing character will continue to grow as a symbol in the fight against plastic waste, with an ongoing presence on social media, and activations at policy-deciding events.

To date, Zuzu already gathered 2.9B impressions, 20.8M film views, 62.6M social views, 1.3M engagements, and 98% positive sentiment. He already collected 137K petition signatures — at a 218% higher conversion rate than average — and the number keeps growing daily.

Social engagement rates are 141% above benchmark, with Instagram audience growth 21x and TikTok growth 9x the norm. Zuzu has sparked conversations across media, brands, and NGOs, becoming a unifying symbol in the fight against plastic waste.

If passed, EPR legislation would shift the cost and responsibility of plastic waste management to producers, improve recycling rates, and accelerate the transition to a circular economy — directly advancing UN Sustainable Development Goals 12 & 14.

In a sea of guilt-driven sustainability messages, Zuzu proves that hope, empathy, and cultural relevance can mobilize mass action on a complex policy issue. This is not just a campaign — it’s a character-led platform for change, capable of uniting consumers, brands, NGOs, and governments in the fight against plastic waste.