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Craft: Art Direction Campaign

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Entrant: VML, New York
Brand: The Coca-Cola Company
Title(s): "CLASSIC - 1", "CLASSIC - 2"
Corporate Name of Client: The Coca-Cola Company
Client Company: The Coca-Cola Company, Atlanta
Client Global Chief Marketing Officer: Manolo Arroyo
Client Company Global VP Creative Strategy & Content for Coca-Cola TM: Islam ElDessouky
Client Company President, Marketing & Europe CMO at The Coca-Cola Company: Javier Meza
Client Company Creative Brand Director for Coca-Cola TM Europe: Marta Carreras Cancelo
Client Company Senior Director Media Operations Europe: Matt Dowling
Client Company Media & Connections Director GB&I: Martha Lawless
Client Company Director, Global Brand Communications & Responsible Marketing Governance: Osita Abana
Client Company Senior Director, Brand PR and Digital - Europe: Stephen D'Alfonso
Client Company Director Brand PR: Amy Selwood
Client Company Senior Communications Manager: Grace Miller
Client Company Senior Director Legal Counsel Europe: Piotr Dmyterko
Client President - Global Category - Coca-Cola: Arnab Roy
Client Creative Strategy Director, Coca-Cola TM: Alessandra Rebecchi
Media Company: EssenceMediacom, London
Media Company Director, Great Britain & Ireland Media Lead for The Coca-Cola Company: Tim Williams
Media Company Media Lead, WPP Studio X: Fernando Del Río
Media Company Senior Associate Director: Cat Farnfield
Media Company AV Senior Associate Director, UK: Kathryn Reid
Media Company Investment Director: Richard Cross
Agency: VML, New York
Agency Global Chief Creative Officer, WPP Open X: Andrew Keller
Agency Global Chief Creative Officer: Debbi Vandeven
Agency Deputy Global Chief Creative Officer/Global Chief Creative Officer, The Coca-Cola Company: Rafael Pitanguy
Agency Chief Creative Officer, France: Dimitri Guerassimov
Agency Executive Creative Directors: Gabriel Jardim/Guto Monteiro
Agency Creative Directors: Guilherme Possobon/Kylie Vandeven/Rebecca Wang/Lorran Schoechet
Agency Associate Creative Director: Thomaz Marsiglia
Agency Copywriters: Rebecca Wang/Lorran Schoechet
Agency Art Directors: Pierrick Tiffonnet/Guilherme Possobon/Kylie Vandeven/Thomaz Marsiglia
Agency Head of Production: Nicole Godoy
Agency Senior Producer: Ian Inglez
Agency Executive Production Director: Anderson Rocha
Agency Graphic Producer: Lillian D’Estefani
Agency Senior Project Manager: Min Yoo
Agency Senior Editor: Matias Canelson
Agency Integrated Production Supervisor: Denisse Zeigen
Agency Global Client Lead, The Coca-Cola Company: Stephanie DeCelles
Agency Strategy Director: Bishan Morgan
Agency Client Engagement Director / Integration Lead: Kaylee Douglas
Agency Global Strategy Lead, Coca-Cola Trademark Category: June Fong
Agency Director of Marketing Effectiveness & Intelligence: Krysten Gibson
Agency Senior Partner, Executive Director of Licensing,Ogilvy: Gloria Graham Hall
Agency Global Brand Marketing Lead, WPP Open X: Liam Parker
Agency Global Operations Lead, Coca-Cola TM, WPP: Nat Carey
Agency Global Brand Lead, Coca-Cola TM, WPP: Jane Morrissey
Post-Production Company: Hogarth, London
Music Production Company: Vox Haus, Petropolis

Cultural Context:
Coca-Cola has appeared in thousands of classic novels—not as product placement, but as part of the cultural fabric of everyday life.

Leading up to World Book Day, the Classic campaign brought those real mentions out of the pages and into the world through beautifully crafted executions that honored both the stories and the era they were written in.

We found real passages where Coca-Cola appeared, then recreated them with extreme craft—matching typefaces, layouts, and line breaks from first editions. The brand’s iconic logo replaced its mention in the text, applied with a custom-built stamp and original letterpress techniques to preserve authenticity.

The creative challenge was authenticity to the original material. No added copy. No visuals. Just pure design, typography, and craft doing all the storytelling. The result was a campaign that didn’t shout—but whispered something undeniable: Coca-Cola has always been part of the story.

The Problem:
In this moment, when reading, audiobooks, and podcasts are booming, we found an opportunity for our campaign that taps directly into this resurged interest in imagination and storytelling.

We didn't do it by writing new stories. We shared ones that already existed where Coca-Cola appears—authentic and unaltered.

At a time when brands are fighting to insert themselves into stories, we reminded people that Coca-Cola was already there, woven into the canon—not product placement, but cultural placement.

The Solution:
Our Classic campaign was brought to life in the most classic way. We scoured pages of literature for mentions of Coca-Cola, which were then recreated.

Every print and OOH was crafted to look like a page from the first editions—matching original typefaces, layouts, and even using the same publishing technique they used before: letterpress printing. Only one detail was changed: the written “Coca-Cola” was replaced with the iconic logo.

Radio and film took the same craft-intensive approach. Our scripts, written by some of the greatest authors in history, were brought to life through original readings. The films were typed out letter by letter on typewriters that were the exact models the authors used to write their novels.

The scale wasn’t just media reach—it was cultural resonance. Readers, writers, and everyday fans shared the work not as ads, but as rediscoveries of literature.

The Results:
Since its launch on April 7 and leading up to World Book Day on April 23rd, the Classic campaign has driven strong emotional engagement, critical acclaim, and measurable reach—with results still being gathered at time of submission.

Within the initial month of launch, we saw 829 million unique site visitors across earned publications.

Headlines from outlets like Fast Company and The Drum praised the campaign’s originality, describing it as “a clever way to remind viewers that Coca-Cola has been part of culture long before e-readers” and “a campaign that goes quiet while the rest of marketing gets louder.”

Brand sentiment has been overwhelmingly positive, reaching 97%.

Across media:

Radio reached 7% of upmarket adults (2.2M)

Cinema reached 5% (1.5M)

Print reached 5.5% (1.75M)

Beyond the numbers, the campaign sparked something deeper: a collective moment of rediscovery—of brand, of culture, and of stories that were waiting to be read.