Finalist
Print
Craft: Art Direction Campaign
| Entrant: | VML, New York |
| Brand: | The Coca-Cola Company |
| Title(s): | "CLASSIC - 1", "CLASSIC - 2" |
| Corporate Name of Client: | The Coca-Cola Company |
| Client Company: | The Coca-Cola Company, Atlanta |
| Client Global Chief Marketing Officer: | Manolo Arroyo |
| Client Company Global VP Creative Strategy & Content for Coca-Cola TM: | Islam ElDessouky |
| Client Company President, Marketing & Europe CMO at The Coca-Cola Company: | Javier Meza |
| Client Company Creative Brand Director for Coca-Cola TM Europe: | Marta Carreras Cancelo |
| Client Company Senior Director Media Operations Europe: | Matt Dowling |
| Client Company Media & Connections Director GB&I: | Martha Lawless |
| Client Company Director, Global Brand Communications & Responsible Marketing Governance: | Osita Abana |
| Client Company Senior Director, Brand PR and Digital - Europe: | Stephen D'Alfonso |
| Client Company Director Brand PR: | Amy Selwood |
| Client Company Senior Communications Manager: | Grace Miller |
| Client Company Senior Director Legal Counsel Europe: | Piotr Dmyterko |
| Client President - Global Category - Coca-Cola: | Arnab Roy |
| Client Creative Strategy Director, Coca-Cola TM: | Alessandra Rebecchi |
| Media Company: | EssenceMediacom, London |
| Media Company Director, Great Britain & Ireland Media Lead for The Coca-Cola Company: | Tim Williams |
| Media Company Media Lead, WPP Studio X: | Fernando Del Río |
| Media Company Senior Associate Director: | Cat Farnfield |
| Media Company AV Senior Associate Director, UK: | Kathryn Reid |
| Media Company Investment Director: | Richard Cross |
| Agency: | VML, New York |
| Agency Global Chief Creative Officer, WPP Open X: | Andrew Keller |
| Agency Global Chief Creative Officer: | Debbi Vandeven |
| Agency Deputy Global Chief Creative Officer/Global Chief Creative Officer, The Coca-Cola Company: | Rafael Pitanguy |
| Agency Chief Creative Officer, France: | Dimitri Guerassimov |
| Agency Executive Creative Directors: | Gabriel Jardim/Guto Monteiro |
| Agency Creative Directors: | Guilherme Possobon/Kylie Vandeven/Rebecca Wang/Lorran Schoechet |
| Agency Associate Creative Director: | Thomaz Marsiglia |
| Agency Copywriters: | Rebecca Wang/Lorran Schoechet |
| Agency Art Directors: | Pierrick Tiffonnet/Guilherme Possobon/Kylie Vandeven/Thomaz Marsiglia |
| Agency Head of Production: | Nicole Godoy |
| Agency Senior Producer: | Ian Inglez |
| Agency Executive Production Director: | Anderson Rocha |
| Agency Graphic Producer: | Lillian D’Estefani |
| Agency Senior Project Manager: | Min Yoo |
| Agency Senior Editor: | Matias Canelson |
| Agency Integrated Production Supervisor: | Denisse Zeigen |
| Agency Global Client Lead, The Coca-Cola Company: | Stephanie DeCelles |
| Agency Strategy Director: | Bishan Morgan |
| Agency Client Engagement Director / Integration Lead: | Kaylee Douglas |
| Agency Global Strategy Lead, Coca-Cola Trademark Category: | June Fong |
| Agency Director of Marketing Effectiveness & Intelligence: | Krysten Gibson |
| Agency Senior Partner, Executive Director of Licensing,Ogilvy: | Gloria Graham Hall |
| Agency Global Brand Marketing Lead, WPP Open X: | Liam Parker |
| Agency Global Operations Lead, Coca-Cola TM, WPP: | Nat Carey |
| Agency Global Brand Lead, Coca-Cola TM, WPP: | Jane Morrissey |
| Post-Production Company: | Hogarth, London |
| Music Production Company: | Vox Haus, Petropolis |
Cultural Context:
Leading up to World Book Day, the Classic campaign brought those real mentions out of the pages and into the world through beautifully crafted executions that honored both the stories and the era they were written in.
We found real passages where Coca-Cola appeared, then recreated them with extreme craft—matching typefaces, layouts, and line breaks from first editions. The brand’s iconic logo replaced its mention in the text, applied with a custom-built stamp and original letterpress techniques to preserve authenticity.
The creative challenge was authenticity to the original material. No added copy. No visuals. Just pure design, typography, and craft doing all the storytelling. The result was a campaign that didn’t shout—but whispered something undeniable: Coca-Cola has always been part of the story.
We didn't do it by writing new stories. We shared ones that already existed where Coca-Cola appears—authentic and unaltered.
At a time when brands are fighting to insert themselves into stories, we reminded people that Coca-Cola was already there, woven into the canon—not product placement, but cultural placement.
Every print and OOH was crafted to look like a page from the first editions—matching original typefaces, layouts, and even using the same publishing technique they used before: letterpress printing. Only one detail was changed: the written “Coca-Cola” was replaced with the iconic logo.
Radio and film took the same craft-intensive approach. Our scripts, written by some of the greatest authors in history, were brought to life through original readings. The films were typed out letter by letter on typewriters that were the exact models the authors used to write their novels.
The scale wasn’t just media reach—it was cultural resonance. Readers, writers, and everyday fans shared the work not as ads, but as rediscoveries of literature.
Within the initial month of launch, we saw 829 million unique site visitors across earned publications.
Headlines from outlets like Fast Company and The Drum praised the campaign’s originality, describing it as “a clever way to remind viewers that Coca-Cola has been part of culture long before e-readers” and “a campaign that goes quiet while the rest of marketing gets louder.”
Brand sentiment has been overwhelmingly positive, reaching 97%.
Across media:
Radio reached 7% of upmarket adults (2.2M)
Cinema reached 5% (1.5M)
Print reached 5.5% (1.75M)
Beyond the numbers, the campaign sparked something deeper: a collective moment of rediscovery—of brand, of culture, and of stories that were waiting to be read.