Grand LIA
Health & Wellness-Craft
| Entrant: | AMVBBDO, London |
| Brand: | Essity/Bodyform |
| Title: | "Never Just A Period" |
| Corporate Name of Client: | Essity Bodyform |
| Client Company: | Essity Bodyform |
| Media Company: | Zenith, London |
| PR Company: | Ketchum UK, London |
| PR Companies Executive Creative Director(s): | Ramona Aning/Becky Huds |
| Agency: | AMVBBDO, London |
| Agency Chief Creative Officers: | Nadja Lossgott/Nicholas Hulley |
| Agency Creative Directors: | Nadja Lossgott/Nicholas Hulley |
| Agency Creative: | Lauren Peters and Augustine Cerf |
| Agency Producers: | Rebecca Scharf/Lilli Burridge Payne |
| Production Company: | SMUGGLER , London |
| Production Companies CEO: | Patrick Milling Smith/Tim Pastore |
| Production Companies Managing Director(s): | Lucy Kelly/Fergus Brown |
| Production Company Director: | Lucy Forbes |
| Production Companies Producer(s): | Claire Jones/Lucy Kelly |
| Production Company DoP: | Polly Morgan |
| Production Company Project Manager: | Ellie Sanders Wright |
| Post-Production Company: | Framestore, London |
| Post-Production Company Executive Producer: | Sharon Lock |
| Post-Production Company Producer: | Sara Beckman |
| VFX Company: | Framestore, London |
| VFX Company Supervisor: | Murray Butler |
| VFX Company Producer: | Sara Beckman |
| VFX Companies Motion Designer(s): | Sharon Lock/Craig Maxwell/Charlie Keeper/Jack Field/Daniella Marsh |
| VFX Companies Flame Artist(s): | Andy Salter/Paul O'Brien/Vinny David |
| Animation Company: | Framestore, London |
| Animation Company Animator: | Anna Mantzaris |
| Animation Company 2D Animation: | Jocie Juritz |
| Color Company: | Cheat, London |
| Color Company Colorist: | Toby Tomkins |
| Edit Company: | TenThree, London |
| Edit Companies Editor(s): | Ellie Johnson/Elena De Palma/Liam Bachler |
| Edit Companies Producer(s): | Ed Hoadley/Rachel Googder |
| Sound Design Company: | 750mph, London |
| Sound Design Company Managing Director: | Ben Mason |
| Sound Design Producers: | Olivia Ray/Carla Thomas |
| Sound Design Company Sound Designer: | Sam Ashwell |
| Sound Design Companies Sound Engineer(s): | Sam Ashwell/Giselle Hall |
| Sound Design Companies Sound Mixer(s): | Sam Ashwell/Giselle Hall |
| Music Production Company: | Soundtree, London |
| Music Production Producer: | Peter Raeburn |
| Music Production Supervisors: | Jay James/Colin McIlhagga |
| Music Production Music Arrangers: | Luke Fabia/Benjamin Jones/Luis Almau/Peter Raeburn |
| Music Production Composer: | Peter Raeburn |
| Casting Agent: | Ali Fearnley |
Cultural Context:
Through deep craft, solidarity and humour––a visual feast, reflecting the chaos of periods, giving them the craft they deserve, the attention they deserve but never get––we represented the truth of our period experiences, dramatising how it feels to spend our lives caught off-guard: the lack of knowledge, the contrast between what we’re told and what we experience, our 300,000-year-old sigh, the universal, cosmic exasperation of it all.
We conducted several rounds of global research among 10,000 participants and across 10 countries, and found that women+ still feel totally unprepared for a life inside their bodies. 6 out of 10 felt unprepared for their periods and wish they’d been taught more about them throughout their lives.
This struck us as cosmically absurd, and made us both sad and mad. In 2024, how was it possible that the majority of women+ and girls+ still felt misunderstood, and unable to understand themselves?
A bit about the brand: Libresse was the first brand to show red blood and start normalising periods with #Bloodnormal in 2017. It put Libresse on the map culturally, and in 7 years, propelled it from #6 to #4 globally, from a €600m to a €1bn brand.
The cultural influence of Libresse over the last 7 years has been such that all the other brands, old and new, have been following suit, replicating the work. This drastic change in the category’s representation of periods was always part of the plan to normalise periods so women+ can ‘Live Fearless’ - Libresse’s brand platform.
In a culture that dismisses & minimises our period experiences, and denies us the knowledge we need to navigate them, the campaign resonated––with thousands of social media responses like “There is nothing more beautiful than making normal what is normal.”––driving renewed success for Libresse.
Business Objective success: Despite being significantly outspent, Essity’s femcare business is growing faster than category giants.
Communications Objective success: Tracking in two key market launches showed that brand perceptions have improved on fundamental measures such as ‘Is a brave brand that breaks taboos’ and ‘Is a brand that impacts society positively’ by 38%,14% and 22%, 3.5% respectively.
There was an outpouring on social. 41% of #NeverJustAPeriod comments expressed gratitude. Comments like “I cried... it’s a deep feeling to be acknowledged. Thank you” reflected how understood women+ felt after seeing our campaign.
Proving we truly understand periods paid off: 67% of women+ who saw the campaign said they were now much more likely to buy Libresse.
Despite being significantly outspent, Essity’s femcare business is now worth over €1bn, growing +6.5%, ahead of P&G (+5.0%) and Kimberly-Clark (+5.8%), achieving the Business Objective.
We met our Communications Objective: globally, Libresse is now more strongly associated with ‘open and honest’ conversations about periods. In key launch markets, brand perception soared—seen as a ‘brave brand that breaks taboos’ (UK +38%, Sweden +14%) and ‘impacts society positively’ (UK +22%, Sweden +3.5%).