Grand LIA
Creativity In PR
| Entrant: | FCB New York, New York |
| Brand: | Hyundai Motor Company |
| Title: | "Tree Correspondents" |
| Corporate Name of Client: | Hyundai Motor Company |
| Client Company: | Hyundai Motor Company, Seoul |
| Client Company Global Chief Marketing Officer, SVP, Head of Brand Marketing Division: | Sungwon Jee |
| Client Company VP, Head of Brand Experience Sub-Division 1: | Jumi Kim |
| Client Company Head of Brand Experience Group: | Bongjo Kang |
| Client Company Head of Brand Communication Team: | Yoonhyue Kim |
| Client Company Senior Manager of Brand Communication Team: | Heejun Kim |
| Client Companies Managers of Brand Communication Team: | Jiwon Pak/Yeongin Jo |
| Client Company Head of Asia-Pacific Marketing Department: | Saemi Shin |
| Agency: | FCB New York, New York |
| Agency CEO: | Emma Armstrong |
| Agency Global Creative Partner: | Danilo Boer |
| Agency Chief Creative Officer: | Michael Aimette |
| Agency Executive Creative Director: | Alex Abrantes |
| Agency VP Creative Directors: | Joey Monteverde/EJ Lee |
| Agency Creative Directors: | Pieter Claeys/Roxane Schneider |
| Agency Associate Creative Directors: | Lara Polovina/Rodrigo Ribeiro |
| Agency Head of Design: | Sy-Jenq Cheng |
| Agency Designer: | Joyce Shi |
| Agency Head of Production: | Nick Williams |
| Agency VP, Executive Producer: | Daniel Roversi |
| Agency Senior Producer: | Alina Carrel |
| Agency Producer: | Jenna Ramon |
| Agency Chief Strategy Officer: | Todd Sussman |
| Agency Strategy Director: | Robbie Felder |
| Agency Account Executive: | Louis Carvell |
| Agency SVP, Group Account Director: | Diana Gonzalez Cash |
| Agency Account Director: | Elisa Tanganelli |
| Agency SVP, Head of Brand Experience: | Ben Nilsen |
| Agency Director, Business Affairs: | Cindy Hoffman |
| Agency Global Chief Data & Intelligence Officer: | Tina Allan |
| Agency Senior Comms Strategist: | Dominique Thibault |
| Production Company: | Uncharted Limbo Collective, London |
| Live Action Production Company: | Unit+Sofa, Staré Město, Czechia |
| Production Company Director: | Chris Waters |
| Production Company Technical Director: | George Adamopoulos |
| Production Company A.I. Development Lead: | Eleana Polychronaki |
| Production Company Production Manager - LABB: | Lawrence Daykin |
| Post-Production Company: | Final Frontier, Madrid |
| Post-Production Companies Executive Producer(s): | Gustavo Karam/Julieta Zajaczkowski/Tino Sladavic/Beppe Fumagalli |
| Post-Production Companies Producer(s): | Pedro Reales/Nat Prinzi/Marcela Recchioni |
| Post-Production Company Director: | Cecilia Saraiva |
| Post-Production Company Assistant Director: | Pedro Quintero |
| Post-Production Company DoP: | Marcos Ribas |
| Post-Production Company 1st Camera Assistant: | Andre Andrade |
| Post-Production Company 2nd Camera Assistant: | Guilherme Carneiro |
| Post-Production Company Motion Designer: | Juan Behrens |
| Post-Production Company Animator: | Facundo Ayerbe |
| Post-Production Editor: | Christopher Besecker |
| Post-Production Company Creative Director: | Claus Cibils |
| Post-Production Companies Creative Team: | Agustina Krol/Sid Osna |
| Post-Production Company Still Photographer: | Luq Dias |
| Post-Production Company Production Coordinator: | Bruno Anacleto |
| Edit Company: | 456 Studios, New York |
| Edit Companies Editor(s): | Andre Correa/Jake Zimet |
| Edit Companies Assistant Editor(s): | Liz Fisher/John Marinis |
| Edit Company Producer: | Matt Klein |
| Edit Facility Studio Director: | Jackie Helfgott |
| Edit Facility Lead Editor & Animator: | Brei Monteiro |
| Edit Facility Animator: | Doma Harkai |
| Sound Design Company: | DaHouse Audio , São Paulo |
| Sound Design Executive Producers: | Carol Masseti/Lucas Mayer |
| Sound Design Producers: | Lucas Mayer/Silvinho Erné/Wonder Bettin |
| Sound Design Companies Sound Designer(s): | Lucas Mayer/Victor Nogueira |
| Sound Design Company Audio Engineer: | Rodrigo Deltoro |
| Sound Design Company Composer: | Lucas Mayer |
Cultural Context:
Hyundai’s purpose, Progress for Humanity, extends beyond mobility. It is a call to nurture meaningful connections between people, technology and the planet.
But why trees?
In Korean culture, Hyundai’s place of origin, trees are not just part of the landscape. They are revered as living beings, vessels of wisdom, memory and resilience.
They outlast generations, witness the rise and fall of civilizations, and quietly adapt to a changing world. It’s this deep-rooted belief that drives Hyundai’s environmental commitment, where honoring trees means listening to them, protecting them, and making their wisdom part of our shared future.
Unfortunately, deforestation continues to plague the planet. Rather than highlighting our environmental efforts, we saw a need to spark action. So we set out to create a tool for change.
Tree Correspondents was not about showcasing achievement, but creating a new creative language. One that connected long-term sustainability with the values of EV intenders, increasingly demanding substance.
Hyundai’s commitment goes beyond planting trees. It’s about creating emotional connections with a new generation, seeking alignment with purpose more than products.
This idea was built on the belief that the creative use of data could act as a voice for the planet. Billions of environmental signals, collected from soil, air, light, and weather, were transformed through a bespoke AI system into articles, written from the perspective of trees.
It proved that when data fuels creativity, the result is bigger than awareness; it’s action. This is data-enhanced storytelling at its best, a demonstration of what Progress for Humanity can achieve.
Hyundai is committed to forest conservation, with more than 1 million trees planted worldwide as a part of its $20 billion, decade-long environmental investment plan.
To make a meaningful impact that would transform perceptions of the brand, we realized there was a need to help increase press coverage on deforestation.
But deforestation has no such witnesses. No embedded reporters. No credible voices from nature’s side of the story. Enter Tree Correspondents. A first-of-its-kind tool transforming trees into data-enhanced storytellers. Powered by environmental sensors, weather APIs, and a chain of Large Language Models, the system converts real-time climate data into credible sources for journalists, empowering them to report from the front lines of the forest, with accuracy.
The surprise wasn’t that the trees could report on themselves. It’s that what they said was urgent, personal, and unforgettable. Through these stories, we realized the power of this tool, and its ability to spark change in environmental journalism.
To validate the platform’s credibility, we generated 28 articles. The result is a fusion of scientific rigor and expressive craft, where data doesn’t just inform the work, it writes it.
The platform is now open to 8,000+ journalists and 500+ global outlets, turning trees into credible sources for the planet.
This idea didn’t cross boundaries; it dissolved them, merging data science, journalism, AI, and environmental advocacy into one unified concept.
A reporting tool made available to 8000+ Journalists. A credible source for climate change data released to 500+ Media outlets.
28 data-fueled articles providing credibility for using AI-enabled trees as climate correspondents.
In addition to the articles written by the IONIQ Forest, we created video content that captured the hearts of viewers online, generating further engagement with the brand. Over 86M views on YouTube.
248M reel views on Instagram through a mix of paid and organic activity.
Over 370K visits to treecorrespondents.com.
And not only did we create a never-before-seen tool for advocacy at scale, we helped EV considerers see Hyundai in a new light.
An 11.1 point lift in the belief that “Hyundai is a brand I would feel proud to drive.”
A 19.3 point lift in the belief that “Hyundai is living up to their slogan, ‘Progress for Humanity."
A 13.4 point lift in purchase intent for Hyundai IONIQ EVs (a total of 66% of likely IONIQ considerers). Now that’s progress through purpose.